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How to Avoid the 11 Biggest Mistakes of First-Time Authors

Writing, books, and personal branding go hand in hand. When you know how to write, and you use that power to write and promote a book, you can change your life.

Writing and promoting a book opens windows of opportunity–opportunities that would never otherwise show up. As a published author, you’re branded as an expert to new clients, prospects, and job opportunities. Your book becomes your business card, proving your expertise and professionalism. You can access experts you’d never, otherwise, be able to access.

You can leverage your book into whatever you want your life to be.

As Harry Beckwith wrote in The Invisible Touch, “If you want to change your life,”write a book.”

Success, however, is not guaranteed

Many first-time authors are not prepared for the possible land mines and pitfalls along the way. Many find writing a book to be a frustrating and unrewarding experience.

2872583288_8127958300Fail to receive rewards

The following are the 11 biggest reasons many first-time authors fail to receive the rewards they expect:

1. Unrealistic expectations

Don’t expect to get rich off your book, even if it’s a success by publishing standards. The vast majority of books fail to earn out their advance.

Instead, right from the start, develop a personal marketing plan to leverage off your book.

Instead of trying to make money on the book itself, use your book to open doors, promote your credibility, and build relationships with readers. Know how you’re going to profit from your book through follow-up information marketing, providing sales and services, or seminars, worksheets, and paid speaking and training.

I’m amazed by the number of authors I’ve interviewed for who have told me they devote their publishing advances and royalties to charity, knowing that profits from book sales will never equal the profits from their own back-end products and services.

2. Writing without a contract

Never write a book without a signed contract. Instead, prepare a detailed book proposal and two sample chapters.

Publishers are increasingly selective the titles they accept. Often, less than 1 in 50 titles proposed are published. Worse, most books change during the writing and editing process.

Writing a book that isn’t accepted is not a good use of your time!

3. No agent

It is essential that you be represented by a literary agent.

Publishers rarely accept unsolicited book proposals. Unsolicited proposals are frequently returned unread or are simply discarded. The right agent will know exactly which publishers might be interested in your book.

More important, publishing contracts frequently contain “boilerplate” text that can sabotage your writing career before it begins. You must have an agent who knows what to look for and is able to negotiate more terms.

685386459_ff6cb1e4064. Weak titles

Titles sell books. The title of your book is like the headline of an advertisement. The title is the “headline” that helps you sell your project to acquisition editors as well as bookstore readers.

Successful titles stress the benefits readers will gain from your book. Successful titles arouse curiosity and offer solutions. They often include consonants and alliteration (repeated ”hard” sounds like G, K, P or T).

5. Title versus series

Don’t think “book,” think “brand.” Focus on a series of books rather than an individual title. Publishers want concepts that can be expanded into a series rather than individual titles.

Do it right, and your first book becomes your brand, the “shorthand” that identifies you. Think in terms of brands like Jay Conrad Levinson’s Guerrilla Marketing series which has provided him over thirty years of quality lifestyle, challenging clients, and speaking opportunities throughout the world…and still does.

6. Going it alone

Successful careers involve a nurturing support group of readers and peers.

Your quest should include the support of your friends, other authors, book coaches, readers and others who will help you maintain your enthusiasm while providing ideas, assistance, and feedback.

Hiring a developmental editor while preparing your initial book proposal helps you avoid the myopia of focusing too closely on the trees, rather than the viewing your book in the context of your career as well as existing books on the topic.

481925758_d1f952a9cc7. “Event” writing

Commit to writing a little each day. Avoid “going away” to write your book.

Stress is an author’s biggest enemy. When you attempt marathon writing, you’re putting an unrealistic burden on yourself; after all, “What happens if I come back and my book isn’t written?”

Commit to write 45 minutes a day. Review your progress just before bed. This reduces stress and continuously reengages your subconscious mind.

8. Self-editing

Avoid unnecessary self-editing. It’s far more important to complete the first draft of your book than to agonize over the perfection of every word.

Nothing can happen until you finish the first draft!

When you’ve finished the first draft, various editors will ensure that grammar is correct and ideas appear in the proper order. But, they can’t do anything until you submit the final manuscript.

9. Failure to promote

Publishers are not promoters. Publishers are skilled at editing, manufacturing, and distributing books. But, they are not set up to give your book the marketing attention it deserves. A single, often overworked, publicist may represent 100′s of different titles–with more coming every season.

500319872_e67dd58a12If you want your book to succeed, you have to promote it as well as write it.

10. Failure to backup and save

Save your work frequently when writing. Always save before printing. Never turn off your computer without making a copy of your files for off-premises storage, or sending a copy of your work to yourself via e-mail.

Never end a writing session without printing out a hard copy of the latest version of the chapter you’re writing. Consider printing your manuscript on 3-hole punched paper, which you insert in a 3-ring binder.

11. Failure to plan future profits

Before writing your book, create a book marketing plan.

View book sales as the first step in an ongoing relationship with your market. Your book marketing and business plan should identify opportunities from consulting, newsletters, audio/video recordings, seminars, speeches, and yearly updates, etc.

Focusing on future profits as early as possible. By identifying your ideal clients, prospects, and (perhaps) employers before you write your book, you’ll be better able to write the book that impresses the right people and creates a brand that makes you both attractive and memorable.

Conclusion

A book can, indeed, change your life. But, you must take charge take a proactive role in promoting and leveraging its success.

I was lucky. Without the guidance that’s available today, writing and personal branding helped me out of a very difficult situation. I had relocated 3,000 miles away from home, with a new wife, baby, mortgage, and 2 new Saabs when I lost my job.

The ability to write and promote a book is the ability to control your destiny.

Author:

Roger C. Parker, as a “writer who understands design,” and a “designer who understands copy,” can help you create a marketing program based on these skills. Roger has a 20 year record of helping others successfully master and apply the latest technology to marketing challenges.

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12 Responses to “How to Avoid the 11 Biggest Mistakes of First-Time Authors”

  1. [...] post: How to Avoid the 11 Biggest Mistakes of First-Time Authors … (No Ratings Yet)  Loading [...]

  2. yinka olaito yinka olaito says:

    Fantastic recipe.I like the promotion aspect. Many always believe and i used to- think that it is my dutty to write while publishers do the rest.

  3. Some good stuff here, but #2 is mindblowingly bad advice. Most first-time writers cannot sell a novel without having completed it. More importantly, most first-time writers don’t know if they can even complete a novel without having first…completed it. Finishing a novel on your own is not a waste of time–it’s called practice. Any other approach is a cynical attempt to leverage words for your career without integrity. If you’re talking about nonfiction, and the writer has written extensively–for publication–on the subject before, then that’s different.

    #10 is just an administrative detail and doesn’t belong on a list because it’s at the wrong level of hierarchy.

    • Thanks for that! I have a quick story to share, but I have to say, I couldn’t agree with you more about the necessity of finishing a book before attempting to get it published.

      In high school a friend of mine ran a fanfiction site, and she got me hooked. The ready made characters, pre-established setting and ongoing conflicts provided a ripe environment for me to learn the basics of writing fiction-and because it was done for fun rather than on a deadline I had the opportunity to let my imagination run wild. There was no pressure. Earlier this year I talked to a published writer who stated that fanfiction was a waste of time because “you couldn’t do anything with it.”

      What happened to writing for the sake of writing? Of crafting fun little stories to let your imagination roam? I’ve gone on to have three fiction books published, and I have a fourth in the works, and many of the skills I carried over from those “pointless” and wasteful stories I wrote all those years ago.

      My point is, a real writer doesn’t become so focused on getting published that they forget the whole point of writing in the first place. If you have a story to tell, tell it. If, when you’re done, you feel it needs to be published, send it to a publisher. If it’s not accepted, put it on the back burner and start something else. These novels are often dusted off and used later on for different purposes. Just ask Laurell K Hamilton or Stephanie Meyer!

      You’re also absolutely right about today’s traditional publishers not even wanting to see a first time author who’s not under contract unless they have a finished manuscript. If you’re self publishing you can often pitch a book with only a few chapters, but they usually expect to see a finished product shortly thereafter. So tell your stories, learn from your rejections and let the chips fall where they may!

  4. [...] A few tips on How to Avoid the 11 Biggest Mistakes of First-Time Authors. [...]

  5. Luigi Luigi says:

    “Title versus series” is really the best one!

  6. Matt Matt says:

    A good list, although I agree with Jeff VanderMeer about novel writing. Maybe if you can build yourself a very good reputation before coming to them with a novel by doing lots of other, shorter work. But even then I suspect that a publicist would want proof that you can write a longer piece.

  7. Great headline. If your cookie has a bite-sized action and your reader completes the action, I think two things happen. Their self-confidence goes up (which feels good) and their trust in you increases.

  8. You noted, “It is essential that you be represented by a literary agent.” How you suggest going about finding one, finding a good one?
    Thanks!

    • There are many literary agents out on the web that are looking for new clients. Look for a firm with a good reputation but a short list of big name clients to begin-some upper crust agents and publicists won’t touch new writers with a ten foot pole, preferring to wait until they’ve proven themselves before investing their time. Just do your homework!

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  • Dan Schawbel

    Dan Schawbel, the Managing Partner of Millennial Branding LLC, is a world renowned personal branding expert. He is the international bestselling author of Me 2.0, and the publisher of the Personal Branding Blog.

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