Objectively Evaluate Your Job Offers, Not Emotionally

  • 0 min read
working together

Before you start getting job offers start a list of all the factors about a job that are important to you. List them down the left side of the page. Things like:
-title
-money
-commute
-potential for advancement
-number of people to manage
-budget size
-flexibility of schedule
-outside learning opportunities
-dress code
-culture
-global reach
-foreign assignment potential
-etc. etc.

Then rank from 1-10 importance to you (10 being most)

Then you are in a position to compare each job offer against your list. For example one offer may have the best “9” money but a “3” in culture when culture is a “10’ in your original ranking.

Picture of Debra Benton

Debra Benton

D.A. (Debra) Benton has been helping great individuals and organizations get even better for over 20 years. Just as exceptional athletes rely on excellent coaching to hone their skills, Debra's clients rely on her advice to advance their careers. She focuses on what is truly important to convert what you and your organization want to be from a vision into a reality. TopCEOCoaches.com ranks her in the World's Top 10 CEO Coaches noting she is the top female. And as conference keynote speaker she is routinely rated in the top 2%. Her client list reads like a “Who's Who” of executives in companies ranging from Microsoft, McDonald's, Kraft, American Express, Merrill Lynch, United Airlines, and PricewaterhouseCoopers to the Washington Beltway and U.S.Border Patrol. *She is the author of ten award-winning and best-selling business books including The Virtual Executive and CEO Material. She has written for the Harvard Business Review, Wall Street Journal, Bloomberg Businessweek, and Fast Company. She has been featured in USA Today, Fortune, The New York Times, and Time; she has appeared on Today Show, Good Morning America, CNN, and CBS with Diane Sawyer. To learn more Debra advising leaders, coaching, facilitating a workshop, or speaking: www.debrabenton.com

TRENDING AROUND THE WEB

Writers who can’t let a piece go the moment it’s good enough to show someone aren’t perfectionists, they’re holding onto the last place the work still belongs only to them

Writers who can’t let a piece go the moment it’s good enough to show someone aren’t perfectionists, they’re holding onto the last place the work still belongs only to them

The Blog Herald
Three of this year’s biggest AI-authorship scandals have hit a literary prize, a publisher, and a newspaper — and together they keep exposing how blurry the line around ‘authorship’ has become

Three of this year’s biggest AI-authorship scandals have hit a literary prize, a publisher, and a newspaper — and together they keep exposing how blurry the line around ‘authorship’ has become

Global English Editing
More than half the people surveyed by the Reuters Institute now believe AI is routinely used to produce the news, and only about a quarter of them think that has made it any better

More than half the people surveyed by the Reuters Institute now believe AI is routinely used to produce the news, and only about a quarter of them think that has made it any better

The Blog Herald
Being liked and being known are not the same kind of connection: one can happen with a stranger in minutes, while the other means trusting someone with the exact map of how to hurt you

Being liked and being known are not the same kind of connection: one can happen with a stranger in minutes, while the other means trusting someone with the exact map of how to hurt you

The Vessel
Writers who thrive in comment-driven, prompt-based online culture haven’t abandoned solitary drafting — they’ve learned to treat the blank page as a conversation

Writers who thrive in comment-driven, prompt-based online culture haven’t abandoned solitary drafting — they’ve learned to treat the blank page as a conversation

Global English Editing
Writers who talk out loud while drafting a sentence aren’t losing focus, they’re running two minds at once, one composing and one already listening back

Writers who talk out loud while drafting a sentence aren’t losing focus, they’re running two minds at once, one composing and one already listening back

The Blog Herald
Load more
CATEGORIES
Explore